|
|
|
|
|
|
|
|
For
us, then, light does something more than tell stories about
the sun, moon and stars. We do not demand of it that it produce
effects. Nor must it make things pretty, nor evoke moods.
It must only give to colors, surfaces, lines, bodies and movements
the possibility of unfolding themselves. None of these elements
should act at the other's expense, least of all the lighting
itself, which should function as a binding force. A
"reverberating light"that is what we seek.
Needless to say, such light must fill all the space at hand,
including both the audience and the performers.
Light, Lighting and Illumination
Alexandre de Salzmann
|
|
|
|
|
|
MATERIAL
FOR THOUGHT #4
(Out
of Print)
- Light,
Lighting and Illumination
Alexandre
de Salzman
- The
Primal Scream
by
Arthur Janov
- Psychic
Discoveries Behind The Iron Curtain
by
Shelia Ostrander & Lynn Schroeder
- A
Separate Reality
by
Carlos Castaneda
- Strange
Life of Ivan Osokin
by
P.D. Ouspensky
- Yamsi
by
Dayton O. Hyde
- William
Blake and The Tree of Life
by
Laura De Witt James
- The
Universal Meaning of The Kabbalah
by
Leo Schaya
- To
Live Within
by
Lizelle Reymond and Shri Anirvan
- The
Flight of The Eagle
by
J. Krishnamurti
- Worldy
Goods
by
James Gollin
- Boyhood
with Gurdjieff
by
Fritz Peters
- Beginning
to Pray
by
Archbishop Anthony Bloom
- The
Occult
by
Colin Wilson
- The
Occult Revolution
by
Richard Woods
|
|
|